He is the brother of Glenda McKay who played his onscreen sister Rachel Hughes. This is the ambush scene in "Bonnie and Clyde," when they meet their end. He is known for his work on The Silence of the Lambs (1991), Philadelphia (1993) and Reds (1981).
She believed in two things very strongly - at least, she would drill it into everyone's head who worked for her that story and performance are the most important thing, and that moving the narrative forward was really a big part of the editor's job. BLOCK: I'm curious: When you're sitting in the editing room now, working on a movie - as you are - are there lessons from Dede Allen, things she would have told you that are still in the front of your mind?
Mr. McKAY: Well, she - I can remember one of the first things she ever said to me. She was 86.
BACK ISSUES Mr. McKAY: One of the things Dede always said to me was never let the audience get ahead of the story.
You could just tell from that moment.We call editing the invisible art. And Craig McKay joins us to talk about her legacy.
You can see camera work, acting, sets — but editing, most people aren't really aware of what's happening and how cumulatively that adds up. STOCK FOOTAGE Aspects of Editing Tech Corner Global Editing Perspectives Cuts We Love. BLOCK: And many, many more.
Dede was not afraid to do a sentence, and not only just dialogue but other sounds - anything to keep moving the narrative forward. Producer Find Craig Mckay stock photos in HD and millions of other editorial images in the Shutterstock collection.
Craig McKay was born as Nelson Craig McKay. Today, there are a lot of scenes that are jump-cut together, but each one of these shots moves the story forward. Craig McKay talks to Melissa Block about the life and legacy of DedDe Allen. That's probably why the single credit happened.
Mr. McKAY: Some of that had been done, but the way she did it - traditionally, it's a word or two, you know?
Mr. McKAY: What happened in the '50s, and into the '60s, was that - the recognition that the editor's contribution was significant and that this contribution, once TV came in and the studios started to fall away, individuals were then cutting films so that - the times had changed. The pro who cut the film that made Hannibal Lecter a cinematic icon — and will receive the Eddie Awards' lifetime achievement honor Feb. 1 — discusses his 40-year career and what he wishes people understood about his craft.
You sit there and think, 'Why is the camera on this character's back at a pivotal moment?' Craig McKay may refer to: Craig McKay (film editor), American film editor; Craig McKay (cartoonist) (born 1966), American freelance illustrator; Craig McKay (actor) (born 1973), English actor; See also.
She's responsible for a number of careers in the film business. When do I notice the editing? Another When it's bad. And very often, she cut with a staccato rhythm to move things along. Editor
She was a mentor to film editor Craig McKay, who worked with Dede Allen on "Slaughterhouse 5," "Night Moves" and "Reds." Those are things that all broke traditional editing form.
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