Hiroshi Sato (佐藤博) is a japanese musician.
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Sato grew up the eldest son at a temple near the southernmost tip of Japan’s southernmost island, Kyushu.
With this in place, his collaborative work on the production side increased greatly, and solo albums became less frequent. 5
Listen to music from Hiroshi Sato like Say Goodbye, Blue and Moody Music & more.
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Japanese keyboard player.
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Alpha was able to provide Sato with access to a LINN LM-1 drum machine, and this entirely replaced the rythym section on Awakening. 38 At 20, he began teaching himself the piano, and shortly thereafter began playing with Masaki Ueda and other artists in the Kyoto area. 22 Born June 3, 1947 in Chiran, Kagoshima. What in the world caused this record to go up $20 bucks from the last reissue? 1970年頃より、 大阪 にて ジャズコンボ 系のバンドのピアニストとしてプロ・ミュージシャンとしての活動を開始する 。
He was born in 1947 and passed away in 2012. The house that his family moved into in 1944 contained a piano; Masahiko started playing it at the age of five. It's getting out of hand. Bought new from HMV Shibuya
Awakening
Died October 24, 2012, as confirmed by his only daughter Chirudo. I don't know what the original sounds like but this reissue sounds absolutely amazing!
God rest his soul. Get track
Sato grew up the eldest son at a temple near the southernmost tip of Japan’s southernmost island, Kyushu. In the early 1990s he was reported as stating that 70% of his time was spent on arranging and composing, and the … 32
Very happy with the quality of the pressing.
As a teenager, he sang Elvis Presley songs in the temple and spent his days recording music on an early multi-track recorder in the temple’s storeroom. Dead silent.
In the early 1990s he composed music for a choir of 1,000 Buddhist monks. Get track
4 He does not appear in HMV’s list of the In 1979, Sato released the album Orient, featuring Ueda, Hosono and other frequent collaborators.
This Japanese pressing from Sony seems to have none of the quality issues of the Rainbo pressing, but uses the excellent BG plates.
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On Sailing Blaster, Sato sings,“I’m gonna shine forever, I’m gonna find a way to win over time”. If there's surface noise, try washing it.
One of the album’s biggest strengths is its variance in tempo, typified by the two versions of Blue and Moody Music that bookend a majority of the album.On 1984’s Sailing Blaster, Sato collaborated with Cindy on a more traditional record featuring live drums and more guitar.
But there is something absolutely irresistible about the pop music that was coming out of Japan in the late 70’s and early 80’s.
He was also an important studio keyboardist, composer, arranger, producer, and sound engineer.
Early life.
Get track Hiroshi Sato is not a famous musician, but he has been one of the most influential and indispensable musicians of the Japanese music scene in the last 40 years.
Except you won’t. Not to be confused with the AVEX-related mixing engineer Hiroshi Sato (4), or the mastering engineer Hiroshi Sato (3).
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