With close readings of key buildings—including Jørn Utzon’s Sydney Opera House, Minoru Yamasaki’s World Trade Center, Frank Gehry’s Guggenheim Museum Bilbao, and Richard Meier’s Getty Center—Smith traces the growth of the spectacular architecture of modernity and then charts its aftermath in the conditions of contemporaneity. Mitchell trace the consequences for art theory of recognizing the physical presence of modernist artworks and the agency of imagery in our encounter with contemporary art.Does the university have a future? Revealing how all of these groups have shaped today’s multifaceted definition, Terry Smith brilliantly shows that an historical approach offers the best answer to the question: Smith argues that the most recognizable kind is characterized by a return to mainstream modernism in the work of such artists as Richard Serra and Gerhard Richter, as well as the retro-sensationalism of figures like Damien Hirst and Takashi Murakami. Inviting readers into these diverse yet overlapping art worlds, Smith offers a behind-the-scenes introduction to the institutions, the personalities, the biennials, and of course the works that together are defining the contemporary. Addressing a perceived gap in existing literature on the subject, the series focuses on three broad strands: the issue of temporality, the role of contemporary media and computational technologies, and how artistic practice makes epistemic claims.The Contemporary Condition series edited by Geoff Cox and Jacob Lund, Volume 02The conversations are framed by Smith’s opening chapter “The Discourse” in which he tracks the advent of a self-reflexive “discursive” era in curating. Through historical contextualization, scholarly rigour, and cross-disciplinary methods, this program trains students to produce pioneering research into newly emerging art and design practices. Is it, as Bill Readings has claimed, in ruins? A younger generation embodies yet a third approach to contemporaneity by investigating time, place, mediation, and ethics through small-scale, closely connective art making. https://www2.ocadu.ca/event/terry-smith-conceiving-contemporary-composition Terry Smith offers the first account of these changes, from their historical beginnings to the present day.This book breaks new ground in tracing how modern, traditional and indigenous art became contemporary in each of cultural region of the world. Including twenty essays and seventy-seven images, Antinomies of Art and Culture is a wide-ranging yet incisive inquiry into how to understand, describe, and represent what it is to live in the contemporary moment.In the volume’s introduction the theorist Terry Smith argues that predictions that postmodernity would emerge as a global successor to modernity have not materialized as anticipated. They revisit from fresh perspectives key issues regarding modernity and postmodernity, including the relationship between art and broader social and political currents, as well as important questions about temporality and change. The resulting map of where art is now illuminates not only where it has been but also where it is going.In this landmark collection, world-renowned theorists, artists, critics, and curators explore new ways of conceiving the present and understanding art and culture in relation to it. Andrew W. Mellon Professor of Contemporary Art History and Theory, University of Pittsburgh One and Five Ideas: On Conceptual Art and Conceptualism, edited and introduced by Robert Bailey (Duke University Press, 2017)Can we speak of composition when we are in a state of unfathomable decomposition?
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