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View Laurie Simmons’s 451 artworks on artnet. Laurie Simmons is a contemporary American photographer and filmmaker. Simmons’s work blends psychological, political, and conceptual approaches to art making—transforming photography’s propensity to objectify people, especially women, into a sustained critique of the medium. See available photographs, prints and multiples, and sculpture for sale and learn about the artist. All rights reserved. See our Get the latest news on the events, trends, and people that shape the global art market with our daily newsletter.©2020 Artnet Worldwide Corporation. Her 'objects on legs' photos feature consumer items such as dollhouses, cakes, guns and musical instruments with long, slender legs, intending to make a statement on traditional gender roles.In a March 2014 interview, Simmons stated, "When I picked up a camera with a group of other women, I'm not going to say it was a radical act, but we were certainly doing it in some sort of defiance of, or reaction to, a male-dominated world of painting.
Laurie Simmons’ engagement with non-human subjects ranges from her earlier works, in which she photographed miniature scenes of post-war domestic splendor, to her more recent use of life-size sex dolls that appear to be engaged in surprisingly believable activities. In one shot, a woman stands in a kitchen before a table packed with food; in another, a woman sits alone on a couch beside an open newspaper. The mood is dr… This image simultaneously alludes to the traditions of fine art photography, through the use of black and white film rather than color, and to the snapshot, through the placement of the sink at the centre of the frame. artnet and our partners use cookies to provide features on our sites and applications to improve your online experience, including for analysis of site usage, traffic measurement, and for advertising and content management. Simmons starred in a feature-length film by her daughter Much of Simmons' work concerns the role of women in society. • Early black and white (1976): Simmons’ first mature works, shot in 1976, were black-and-white images taken in a dollhouse, un-peopled variations on each room in the house, particularly the bathroom, using sunlight and different angles to create a “dazzling, dreamlike stage set.” She then added a housewife doll into a kitchen set and "photographed the figure over and over in various positions — standing and sitting at the table, at the counter, in a corner, standing on her head with the kitchen in disarray. Laurie Simmons
Mining childhood memories and media constructions of gender roles, her photographs are charged with an eerie, dreamlike quality. (451 results)
"Brooklyn-based performance collective, Carroll Simmons, takes their name from combining Simmons' last name with her husband, Carroll Dunham's first.Sanchez, Gabriel, "Laurie Simmons," Artforum, April 2014 Simmons considered Sink/Ivy Wallpaper to be her first mature work. Laurie Simmons played a significant role in exploring the image and expectations of women in the post-war United States, using photographs centered around dolls and the domestic sphere to quietly subvert familiar models of feminine identity. Endowing dolls, puppets, and ventriloquist dummies with a very human sense of longing and loneliness, Simmons creates … Laurie Simmons Laurie Simmons began showing her photographs in New York in the late ’70s: black-and-white, and then candy-colored scenarios with plastic dolls in 1950s-style domestic interiors.
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