how many episodes in puberty blues season 1

They both in their own ways value extreme naturalism and truth in performance and look over all else. Both Emma and Glendyn also really love to shoot without rehearsing.

The fact we were shooting on the very same beaches that were being written about in this book infused the stories credibility even further.

It's 1977 and joined-at-the hip teenagers Debbie and Sue fantasise about joining the Greenhills gang who rule the beach. The take went for about 2 minutes and you literally watched the sun fading on the background as the take went through the camera.We still had the closeups to do and the pipes made it very very difficult to get both angles. It was so nice to be totally lost and immersed in Australian Drama yet again! On top of that, we tried to stage scenes in locations within the set that had the best natural light for that time of day.We attempted a very holistic approach to our lighting.

She did a great job of marrying the three different camera formats, the Alexa, the BMCC and the Canon C300.

Puberty Blues is based on the 1979 book by Kathy Lette and Gabrielle Carey, which was also the inspiration for the 1981 film Puberty Blues. They will care for it and it’s potentialI hope they do a third season. It’s a treat watching non-American dramas and seeing how much more they respect the audience’s intelligence. Congratulations to all for Best TV Drama at the ACCTA Awards!Any production that involves Claudia Karvan, Dan Wyllie and Susie Porter, is a winner in my eyes. The tone was the most important aspect for us, not for it to be some kind of rose coloured reminiscing of an earlier time.The scripts, like the book were  unflinching and in a way, non-judgmental. Glendyn took a lot of the same reference images and she immediately understood the colour palette we were going for.Digital Pictures supplied their Ranger Data cart which was located in the production office with editorial.

That meant I could listen to the scene on coms and simple trade the focus around as I followed the scene itself. Glenn was also responsible for a lot of the 2nd unit material !!! This meant we had only about 4 hours of darkness to shoot.We all knew this would be a really important scene, Debbie and Gary’s first kiss. Those tests did look glorious and for a while and we wondered if we could convince TEN to put it to air as 2.35 !

It sparkles even as it disturbingly illuminates a culture of adolescence that seems not so much dated as distressingly contemporary."

From memory there were only 3 takes of this. Thanks for sharing.I just received my BMCC camera and i am blown away by it. Debbie and Sue's growing disenchantment with the gang and their rigid rules ends in defiance when they stand up to the boys and try surfing for themselves. Brenda Harding is finishing School isn’t she?The Cronulla story is finished. For the novel, see But perhaps you’re monitoring in FILM / LOG where there are no true blacks and you’re seeing it there ? Colourist Annalie Chapple was involved with our very earliest tests. Less than 800k for S1 and S2 got smashed by MKR and The BlockFirst season it had some nights where the lead-in was 150,000 and it lifted to over 700,000. Glendyn then returned for eps 5 & 6 and Emma finished the series doing 7 & 8. We kind of wanted the awkward mistakes and ungainly gestures that young adults have in spades, when they’re completely oblivious to their projected image.Through both design elements and how they would be integrated into the shooting style itself.

I was in a gang from Bankstown that used to go to Cronulla in the early 70’s every weekend by train.

Season 1 .

Annalie also understood we really wanted to kind of be a bit more cinematic with the images. You have to judge when to intervene and when to just let things go for the better of the show.When casting the show, Glendyn and the producers had specifically targeted younger cast that were new. I could hold the camera for much longer periods of time than if I was just holding it in my arms. Like crazy long. Numbers last night show it can benefit from a stronger lead-in, and presumably a network performing better overall. We also had a very inexpensive housing for the blackmagic camera that also worked really well and was used often.I’m so proud of the world we created. I had two single 4K HMI’s on towers on the deep BG of both lines of action in order to create a backlight for the two directions we needed to shoot.We also had a few hours to shoot this key scene, and with it being set on a beach, everything would take that much longer.

I need Pam and Roger Knight in my life!”An absolute pearler of a series. I can not believe Ten sat on it for a year.If Ten decide not to renew it could Foxtel perhaps pick it up? !“If PB doesn’t come back, then how about a spin off for Dan Wylie and Susie Porter. Principal photography didn’t start until the beginning of April.

Glendyn Ivin was the setup director, doing eps 1 & 3 followed by Emma Freeman who did eps 2&4. By working closely with designer Jon Rohde, we tried to choose locations that would enable us to light using natural lighting, and then having the curtains and dressing on the windows become the diffusion and scrim frames that I’d normally build.This mean we effectively would light from outside the set. On the Canon C300 and Blackmagic camera we were often using Glendyn’s own Leica R series lenses.Getting the condensation out of our lenses in the early morning.Using vintage lenses help give us a uniquely imperfect look and I have to say I was so surprised at how beautiful these old lenses can be.

The pipes were actually created by production. His short Cracker Bag won the 2003 Palm D’Or.

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how many episodes in puberty blues season 1